The Baron

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	McMillan models his fat suit for director Lynch. Conceived by costume designer Bob Ringwood, the canvas and rubber suit was filled with silicone gel to impart an authentic sense of fleshiness.
	Flying unit supervisor John Stirber lends a steadying hand as his aerial wire rig lifts McMillan off the floor.
	Although the majority of the flying scenes were rigged and photographed on the Giedi Prime sets, the finale required an elaborate tumbling mechanism and was photographed against a blue screen.
	The Baron, laughing manically, flies through the air, thanks to an elaborate overhead tracking system.
	Kenneth McMillan, in his floating harness, with wire expert John Stirber.
	The Baron slowly rises to the ceiling during a conversation with his 'doctor'.
	Kenneth McMillan begins the long and painful makeup transformation that will turn him into the repulsive Baron. Makeup chief Gianetto De Rossi, right, will add layers of flab and boils.